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Category: Yes! Magazine

Yes Magazine: Documenting Protests While Protecting Protesters

Posted in Journalism, and Yes! Magazine

Often working with just their phones, community journalists can shine light on movements, expose police brutality, and help protect activists from getting “disappeared” by an authoritarian government. At the same time, the wrong tweet—or especially livestream—can leave people in the street exposed to increased police surveillance.

From “snatch and grab” arrests in unmarked vans, to raids on the homes of perceived organizers, activists have good reason to be concerned. From Portland, Oregon, to Philadelphia, law enforcement acknowledge using livestreams and other social media to gather evidence.

As activists begin to face serious charges from the most recent wave of protests, there’s also more attention on the risks posed by inexperienced or unethical community journalists. Meanwhile, more people are protesting for the first time, with some newly taking up the role of community journalist. As such, a debate that’s been bubbling beneath the surface since at least the Occupy movement and Arab Spring is bursting to the forefront: the question of whether, and how, protests should be documented in real time online.

Activists Beat Texas GOP With Social Media & Old-School Resistance Tactics

Posted in Austin, Creative Commons, Journalism, and Yes! Magazine

Who could resist images of smiling children gathered under an ancient oak tree on the grounds of the Texas Capitol, transfixed by Democrat and Republican lawmakers doing a tag-team recitation of Dr. Seuss’ The Lorax?

Apparently not the good folks of Texas.

A broad coalition of environmental activists employed just such a strategy during a special session of the Texas Legislature this summer as a way of stealing the spotlight and defeating a bill meant to strip municipalities of their power to protect historic trees.

Creating An LGBTQIA Safe Space In Rural America

Posted in Journalism, and Yes! Magazine

In the heart of rural New England, two queer women built a space for art and community.

Amid the relatively conservative, rural surroundings of Manchester, New Hampshire, The Gal-lery is a sanctuary from judgment and oppression. Located deep inside the twisty hallways of a converted former mill, the space to showcase art isn’t marked by flashy signs or promoted with widespread advertising. It’s a place where LGBTQIA people, and others who are marginalized, can simply exist without having to justify their identities to others.

Catherine Graffam, an intersex, nonbinary transgender woman, cofounded The Gal-lery more than two years ago with Madeline Jones, a queer woman who also sometimes uses nonbinary pronouns, after the pair graduated from the New Hampshire Institute of Art. The two began hosting events in 2015 and have since built a successful community of regular visitors and friends. About 50 people attended the Nov. 3 opening of “Gals and Pals,” their first gallery show, which also featured nine visiting artists in addition to the works of Graffam and Jones.