In the heart of rural New England, two queer women built a space for art and community.
Amid the relatively conservative, rural surroundings of Manchester, New Hampshire, The Gal-lery is a sanctuary from judgment and oppression. Located deep inside the twisty hallways of a converted former mill, the space to showcase art isn’t marked by flashy signs or promoted with widespread advertising. It’s a place where LGBTQIA people, and others who are marginalized, can simply exist without having to justify their identities to others.
Catherine Graffam, an intersex, nonbinary transgender woman, cofounded The Gal-lery more than two years ago with Madeline Jones, a queer woman who also sometimes uses nonbinary pronouns, after the pair graduated from the New Hampshire Institute of Art. The two began hosting events in 2015 and have since built a successful community of regular visitors and friends. About 50 people attended the Nov. 3 opening of “Gals and Pals,” their first gallery show, which also featured nine visiting artists in addition to the works of Graffam and Jones.
