I appeared on a second episode of the It’s Going Down podcast about the Texas Freeze.
The first part of this discussion, published last month, focused on the disaster itself. In the second part the panelists (including myself) discuss how the media, populace and local governments reacted to the mutual aid efforts:
Tonight’s music video is “Rescue, Mister” by TR/ST. This video was selected by Ósk Bät as part of Ósk’s “Daily Earworms” on the social network ello.
I’m on ello too, as @kitoconnell (just like on Twitter and Instagram). I’m finding the new social network a pleasant place to share photos and text without the issues of Facebook’s bothersome algorithm hiding my content.
A new study finds that these controversial fossils are not likely to be bacteria or single-celled protists; their cells, preserved for more than 600 million years in rock, are too complex and differentiated. Instead, the fossils may be multicellular algae, or even the embryosof ancient animals. “The real value of these fossils is that we now have some direct evidence about how this transition from single-celled organisms to things like animals and plants occurred in the evolutionary past,” said study researcher Shuhai Xiao, a geobiologist at Virginia Tech in Blacksburg.
[…] The bizarre fossils, known as Megasphaera, come from a rock layer in southern China called the Doushantuo Formation. Xiao first studiedMegasphaera specimens in 1998 and suspected that they might beanimal embryos. Each fossil measures a mere 0.03 inches (0.7 millimeters) or so across and comes from what would have been a shallow marine environment at the time. But no adult animals that might have produced these embryos have ever been found, leaving the identity of the fossils open to scrutiny.
[…] By slicing the rocks ultrathin, the researchers were able to shine light through the fossils to see the structures inside, just like stained glass. Using microscopy, they observed multiple cells, cleaved together in spherical clusters. The cells were different from one another in shape and size, suggesting they have developed different tissue types — a process known as cell differentiation — and presumably have different cellular functions, Xiao said.
Activists dressed as chipmunks shut down construction at the first US tar sands mine on September 23. It was the latest in a series of actions by Utah Tar Sands Resistance targeting the 213 acre Book Cliffs tar sands mine.
A video released by the group shows chipmunks spreading rapidly through through the camp site where they block construction equipment with their bodies. Activists shut down construction for part of a day, resulting in five arrests. There have been 27 total arrests since the beginning of the campaign to halt construction.
“This project is a bellweather project,” said Raphael Cordray, an organizer with Utah Tar Sands Resistance. “If they can make this project successful than it will open up the flood gates for a whole lot of other tar sands and oil shale strip mining projects in the area and in America in general. The United States Bureau of Land Management identified 860,000 acres within Utah, Wyoming and Colorado that’s available in the future.”
DuckTales, the most successful show of Disney’s short-lived television-animation renaissance—and a show that kicked off a brief interest in syndicated afternoon animation from a host of media companies—has mostly disappeared from the limelight, to the degree that the company released around three-quarters of its episodes on DVD, then simply stopped. What’s fascinating about this is that DuckTales is a vastly entertaining show, with quality traits that go beyond its catchy theme song, and it’s incredibly easy to gobble up episode after episode of the thing. Plenty of cartoons from the ’80s and ’90s fail the nostalgia test, simply falling apart when re-examined through the lens of adulthood. DuckTalesisn’t one, and returning to it as an adult reveals that there are hidden pleasures there that go beyond memories of what it was like to watch as a kid. For a show so breathless and action-packed, DuckTales takes its time, and that makes all the difference.
[…] It’s an understatement to say DuckTales was a hit. Not only did it lead to a huge number of additional Disney animated shows that entered the “Disney afternoon” syndication package—shows like Chip ’N’ Dale Rescue Rangers, TaleSpin, and Darkwing Duck—but it led to other studios raiding their own cabinets to see what could be reworked into programs that would entertain America’s bored latchkey kids. […] DuckTales was the first, however, and it served almost as a statement of purpose. Rather than trying to be as kid-friendly as possible, the series made its protagonist an irascible old man. Rather than celebrating the sorts of family-friendly virtues Disney was associated with, the series was about the awesomeness of unchecked avarice and greed. (Fittingly, it debuted the same year as Oliver Stone’s Wall Street, with its famous “Greed is good” speech.) And instead of drawing its inspiration from a toy line or popular movie (like other pioneers in the afternoon animated-syndication market), DuckTales drew its inspiration from a series of comic books that weren’t terribly well-known in the United States.
I will confess that I wasn’t a DuckTales superfan then or now. But of Disney’s diverse cartoon offerings of the era it’s the one I think has aged the best. Gummi Bears is total shit in retrospect (and didn’t seem that good even then), and TaleSpin drove me crazy by creating an annoying character with my namesake. Both were the kinds of shows that entertained just enough to stay on your TV when you were just plain bored, but DuckTales could be relied on to reliably entertain and even generate a few laughs.
During my two years at Firedoglake I turned the Watercooler — MyFDL’s end of the night wrap up post — into something I looked forward to assembling every night. Partway through that process, I realized I could do almost anything I wanted with the feature. And between that and my love of cartoons, Cartoon Friday was born.
Now that I won’t be blogging at FDL as much anymore it seems only fitting to bring this “tradition” to my blog, Approximately 8,000 Words.
Tonight’s selection isthe Count Duckula episode, “There are Werewolves at the Bottom of our Garden.” It originally aired in November of 1990.
Duckula is a British cartoon which spun off from another popular series that also saw syndication in the United States, Danger Mouse. In the original series, Duckula was a fearsome villain — at least relatively speaking when you remember the main characters of the original series were a mouse and a mole.
For his feature series, he was reimagined as something far less fierce.
Perhaps because Danger Mouse dispatched Duckula in the original, Duckula finds himself revived through an ancient and mystic rite — only Nanny, a clumsy hen and one of the vampire duck’s closest allies, substitutes ketchup for blood. Now the mighty warrior is much closer to an Inspector Gadget-like figure: he becomes a hapless vegetarian that survives primarily through the aid of his friends and servants like the tireless but cynical butler, Igor.
So curl up with a favorite libation and get ready to get silly — from the very first moments. Oh, they don’t make theme songs like that anymore.